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    <title>Burl Veneer’s Music Blog</title>
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    <updated>2008-07-11T21:59:51Z</updated> 
    <author>
        <name>Burl Veneer</name>
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    </author> 
    <id>tag:vox.com,2006:6p00d4144aef1d3c7f/tags/peter+murphy/</id> 
    <subtitle>Songs I Like</subtitle>  
    
    <entry>
        <title>Peter Murphy sings all the hits</title>   
        <link rel="alternate" type="text/html" title="Peter Murphy sings all the hits" href="http://burlveneer.vox.com/library/post/peter-murphy-sings-all-the-hits.html?_c=feed-atom-full" />  
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        <published>2008-07-10T02:21:50Z</published>
        <updated>2008-07-11T21:59:51Z</updated>
    
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        <p>A highlight of our trip to Maryland last week was seeing Peter Murphy in Baltimore, though the less said about the club (and the opening act) the better.&#160; The last time we saw him as a solo act was at the 9:30 Club in 2004, when he was being forced into the old tour-to-promote-album-sales paradigm, and the album he was promoting (<em>Unshattered)</em> was just not up to snuff.&#160; Consequently he only played a few of his older hits (&quot;They&#39;ve told me this is not a nostalgia show, &quot; he said).&#160; Today everyone knows (except the major labels) that the money is in live performance and merchandising, and the recorded music is more or less a giveaway to promote the shows.&#160; So this time he played the hits, though by a twist of fate the ticket price was about half that of the 2004 show.&#160; But the songs were glorious: &quot;All Night Long,&quot; &quot;Indigo Eyes,&quot; &quot;Strange Kind of Love,&quot; &quot;Gliding Like a Whale,&quot; &quot;Huuvola,&quot; even &quot;The Sweetest Drop,&quot; a few Bauhaus numbers, a bit of Bowie, and for the final encore, &quot;Cuts You Up.&quot;&#160; Plus a whole bunch of songs I&#39;m less familiar with.&#160; Peter is beginning to show his age as his face wrinkles and his hair thins; he is still spry, though, pogoing at times, even moonwalking (!), and his voice is as effortlessly lovely as ever.&#160; He seems quite at home in the role of Elder Statesman of Goth.&#160; It was a completely satisfying set.&#160; But if I could pick one song from Peter Murphy&#39;s catalog to be added to his live repertoire, it would be &quot;Let Me Love You&quot; from <em>Holy Smoke</em>.&#160; The slow, mysterious verses just open up and resolve so beautifully into the dreamy major-chord chorus, and who can argue with a sentiment like &quot;Let me love you&quot;?&#160; This song always makes me visualize Jean Cocteau&#39;s <em>La Belle et la Bête</em>, so I&#39;ve used a graphic from that instead of the traditional album cover:</p>
    
    
    





        






    
    
    





        






    
    
    





        





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<p><br />And if I could choose a second, it would be &quot;The Scarlet Thing In You&quot;--</p>
    
    
    





        






    
    
    





        






    
    
    





        





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<p>

What would you pick?<br /><div><br /></div></p>   <p style="clear:both;"> 
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        </content> 
    <category term="90s" scheme="http://burlveneer.vox.com/tags/90s/" label="90s" /> 
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    </entry> 
    
    <entry>
        <title>The Iggy Pop-Peter Murphy connection redux</title>   
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        <published>2008-05-06T02:35:39Z</published>
        <updated>2008-05-06T02:35:39Z</updated>
    
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        <p>Several weeks ago I wrote about <a href="http://burlveneer.vox.com/library/post/iggy-is-everywhere.html">Iggy Pop and Peter Murphy sounding nearly the same</a>; just yesterday I discovered the live radio performances that Peter Murphy and Trent Reznor gave during the joint Nine Inch Nails/Bauhaus tour of 2006.&#160; Lo and behold, they did an Iggy Pop cover:</p>
    
    
    





        






    
    
    





        





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<p>
And to pile on the coincidences, Trent released a new Nine Inch Nails album today (<em><a href="http://theslip.nin.com/">The Slip</a>)</em>, for free!<br /> </p>   <p style="clear:both;"> 
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        </content> 
    <category term="70s" scheme="http://burlveneer.vox.com/tags/70s/" label="70s" /> 
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    <entry>
        <title>Iggy is everywhere</title>   
        <link rel="alternate" type="text/html" title="Iggy is everywhere" href="http://burlveneer.vox.com/library/post/iggy-is-everywhere.html?_c=feed-atom-full" /> 
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        <published>2008-03-15T21:00:54Z</published>
        <updated>2008-03-18T21:53:37Z</updated>
    
        <author>
            <name>Burl Veneer</name>
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        <p>Bill Laswell&#39;s Praxis project, originally a turntable-and-sampler affair, changed direction in the 90s to invent the &quot;cyberthrash&quot; genre.&#160; With a core lineup of Laswell, Buckethead, Bernie Worrell, and Brain, they constantly switched gears from funk to metal thrash to hip-hop to ambient to free jazz, often within the same song.&#160; Praxis has always been primarly an instrumental band.&#160; Their latest album, <em>Profanation</em>, includes a series of guest singers and a dose of nu-metal; it&#39;s watered down the Praxis concept, but on the other hand they now have some anthemic choruses to shout along with.&#160; On first listen the fourth track, &quot;Furies,&quot; grabbed my attention, because it sounded like Peter Murphy singing.&#160; Peter Murphy on a Praxis album?!&#160; Then as I listened and the singing went into a higher register and exhibited some very un-Murphy-like inflections, I decided it must be Iggy Pop, remembering that Bill Laswell had produced his <em>Instinct</em> album.&#160; And it is indeed Iggy Pop, but did you ever notice how similar he and Peter Murphy sound sometimes?</p>
    
    
    





        






    
    
    





        





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<p>



It was not long after that that I happened upon Iggy Pop again, this time on the soundtrack to <em>The Life Aquatic with Steve Zissou</em>, which I was listening to for my <a href="http://burlveneer.vox.com/library/post/spy-music-roundup.html">spy music roundup</a>.&#160; The Stooges&#39; 1973 classic &quot;Search and Destroy&quot; plays during the scene in which Steve Zissou drives the pirates from his ship, a perfect bit of snarling energy for the onscreen action:<br />
    
    
    


    
    
    


    
    
    


    
    
    


    
    
    

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So the other night I was watching the BBC Four Hawkwind documentary <a href="http://www.bbc.co.uk/programmes/b0074tmc"><em>Hawkwind - Do Not Panic</em></a>, and I heard &quot;Urban Guerilla&quot; for the first time.&#160; I&#39;ve been a fan of Hawkwind for over 25 years, but I was never a Hawkwind completist, and a good thing too because that&#39;s a losing proposition for sure.&#160; I wouldn&#39;t say there are gaps in my knowledge of Hawkwind; it would be more accurate to say that my Hawkwind albums are gaps in my ignorance of their body of work.&#160; My little collection of pre-Robert Calvert albums (<em>Hawkwind, In Search of Space, Warrior on the Edge of Time)</em>, Calvert-era records (<em>Quark, Strangeness, and Charm, Astounding Sounds, Amazing Music, PXR5</em>), and the post-Calvert <em>Live Chronicles</em> provided plenty of listening enjoyment.&#160; I never have been able to see the &quot;real&quot; (i.e. Dave Brock-led) Hawkwind.&#160; I got as far as actually going to a show at DC&#39;s Bayou nightclub, but the band were unable to obtain visas and the show was cancelled.&#160; Some years later I did get to see Nik Turner&#39;s Hawkwind at the 9:30 Club, with Helios Creed in the band, and that was good but not quite the full Hawkwind experience, I suspect.&#160; So anyway, I was heretofore oblivious to &quot;Urban Guerilla,&quot; but what struck me is how close it is to &quot;Search and Destroy.&quot;&#160; Both songs were written in 1973; they both contain first-person lyrics boasting of fighting, bombing, and general dangerousness; and while Hawkwind don&#39;t have the visceral punch of the Stooges, Iggy Pop and Robert Calvert deliver uncannily similar vocal performances.&#160; Here&#39;s &quot;Urban Guerilla&quot; for comparison:</p>
    
    
    





        






    
    
    





        






    
    
    





        






    
    
    





        






    
    
    





        






    
    
    





        





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<p>




1973: the Vietnam War, IRA bombings (which caused the &quot;Urban Guerilla&quot; single to be banned by the BBC, and ultimately withdrawn from the market), the Baader-Meinhof Gang, the Red Army, revolutionary (and pseudo-revolutionary) terrorism and bloody counterterrorism were in the air worldwide.&#160; Iggy Pop and Robert Calvert both picked up on it, apparently independently, and produced a pair of songs that will now be forever entwined in my mind.</p>   <p style="clear:both;">    
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