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    <title>Burl Veneer’s Music Blog</title>
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    <updated>2008-03-01T14:05:04Z</updated> 
    <author>
        <name>Burl Veneer</name>
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    <id>tag:vox.com,2006:6p00d4144aef1d3c7f/tags/norway/</id> 
    <subtitle>Songs I Like</subtitle>  
    
    <entry>
        <title>Trumpet time: Nils Petter Molvaer</title>   
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        <published>2008-03-01T05:45:26Z</published>
        <updated>2008-03-01T14:05:04Z</updated>
    
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        <p>Last week I remembered I like Steve Tibbetts, so I added a Steve Tibbetts station to my Pandora account.&#160; I was listening to it yesterday when I heard an unfamiliar Jon Hassell song.&#160; Or so I thought--it turned out to be by Norwegian trumpeter Nils Petter Molvaer, a former Tibbetts labelmate at ECM.&#160; I bought Molvaer&#39;s ECM album <em>Khmer</em> a few years ago, but I never took to it.&#160; The backing tracks sound like rudimentary techno and hip-hop loops, dooming the album to the fate of so many hybrids, i.e. not being as good as any of the individual genres that it combines.&#160; On the other hand, I did like his playing on one of Bill Laswell&#39;s <em>Sacred System</em> albums.&#160; But the song I heard on Pandora is from <em>Er</em>, Molvaer&#39;s 2005 album, and it&#39;s his best work yet.&#160; On several tracks he&#39;s obviously going for a Jon Hassell group sound, but his own tone and modalities are different than Hassell&#39;s.&#160; Then there&#39;s the song I can&#39;t stop playing, &quot;Only These Things Count&quot;--</p>
    
    
    





        






    
    
    





        






    
    
    





        






    
    
    





        






    
    
    





        





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<p>

That&#39;s Sidsel Edresen singing, with a voice like a cross between... Nico and Dewey Bunnell (of America)?&#160; And it&#39;s beautiful!&#160; (Now I&#39;m tracking down her own albums.)&#160; The song feels like a thick down comforter with a golden brown velvet cover, draped over a sofa and just inviting you to plunge in, wrap it around yourself and luxuriate in the softness and texture.&#160; That&#39;s what I get from it, anyway.&#160; It also feels like a David Sylvian song, one of the ones with Mark Isham playing trumpet.&#160; The song it reminds me of the most is &quot;Thalheim&quot; from <em>Dead Bees on a Cake</em>:</p>
    
    
    





        






    
    
    





        






    
    
    





        






    
    
    





        






    
    
    





        





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<p>
Okay, that&#39;s not Mark Isham playing the trumpet, it&#39;s Kenny Wheeler playing the fluegelhorn.&#160; Not only that, Kenny Wheeler has been recording with David Sylvian just as long as Mark Isham has: both played on his first solo album, 1984&#39;s <em>Brilliant Trees</em>.&#160; That album initially disappointed me: I was so enamored with the electronic sounds of Japan that I had trouble accepting the mostly-acoustic instrumentation of <em>Trees</em>, and I didn&#39;t buy a copy for over ten years.&#160; I always liked &quot;The Ink in the Well,&quot;&#160; though, and it features... Kenny Wheeler on fluegelhorn!</p>
    
    
    





        






    
    
    





        






    
    
    





        





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<p>
 Coming up: equal time for Mark Isham.<br /></p>   <p style="clear:both;"> 
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    <entry>
        <title>Take a look overhead!</title>   
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        <published>2008-02-04T02:12:29Z</published>
        <updated>2008-02-04T02:17:51Z</updated>
    
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        <p>The <em>Spiderman</em> theme is fine as a jingle, but I&#39;ve never thought of it as an actual cop-show theme.&#160; Until today, that is, when I found Norwegian electro duo Ugress&#39;s groovy remake:</p>
    
    
    





        






    
    
    





        






    
    
    





        





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<p>
That&#39;s definitive; I doubt you&#39;ll ever hear a better version of that song.&#160;
Who are Ugress and what are they all about?&#160; Rather than trying to paraphrase I&#39;ll just paste in the statement from <a href="http://www.myspace.com/ugress">their MySpace page</a>:</p><blockquote><p><span style="font-size: 0.8em;"><span style="font-size: 1em;">Ugress is mad sound professor <a href="http://gmm.ugress.com/">Gisle Martens Meyer</a> and his groovetight percussive assistant, <a href="http://igor.ugress.com/">The Igor</a>.
</span><span style="font-size: 0.8em;"></p></span><p><span style="font-size: 1em;">
With a sexy crew of guest vocalists and instrumentalists, Ugress bloom
with references to the last decades of pop, film and cult culture.
</p><p>Symptoms of exposure include subtle drift towards the
dancefloor, uncontrollable rhythmical movements, hightened auditive
pleasure and a out-of-reality experience reported as &quot;being part of an
epic film&quot;.
</p><p>On stage an überhybrid mash-feist of mad professorizing,
cloned musicians, steampunk instruments and multiple synchronized video
projections keep your eyes, ears and consciousness glued to an escapist
reality of multiple dimensions.
</span><br /></span></p></blockquote> <div>Sounds like my bag!&#160; Best of all, they offer a whole slew of <a href="http://www.ugress.com/media_music.asp">free mp3 downloads</a> on their website.&#160; Second best of all is seeing Meyer sporting the notorious <a href="http://www.thinkgeek.com/apparel/hats-ties/9352">8-bit necktie from Thinkgeek</a>.<br /></div>   <p style="clear:both;"> 
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