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    <title>Burl Veneer’s Music Blog</title>
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    <updated>2008-04-17T20:34:02Z</updated> 
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    <id>tag:vox.com,2006:6p00d4144aef1d3c7f/tags/mike+flowers+pops/</id> 
    <subtitle>Songs I Like</subtitle>  
    
    <entry>
        <title>Modern Sunshine Part 2</title>   
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        <published>2008-03-27T03:26:41Z</published>
        <updated>2008-04-17T20:34:02Z</updated>
    
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        <p>I&#39;ve fallen behind on my sunshine pop theme due to spending last night sorting out the dueling MySpace players problem.&#160; Solution: no more MySpace players.&#160; If they&#39;ve got it set to autostart, there&#39;s not a thing you can do about it by tweaking parameters in the embed code.</p><p>In reviewing the tags on today&#39;s mp3 files, I realized that I&#39;ve been conflating sunshine pop with &quot;baroque pop.&quot;&#160; The archetype of the baroque pop song is Simon and Garfunkel&#39;s &quot;Scarborough Fair/Canticle,&quot; but another song on the same album (<em>Parsley, Sage, Rosemary and Thyme</em>), &quot;The 59th Street Bridge Song (Feelin&#39; Groovy),&quot; is certifiable sunshine pop, so the two subgenres are largely intertwined in style, but not mood.</p>
    
    
    


    
    
    


    
    
    

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<p><a href="http://www.myspace.com/ericmatthewsmusic">Eric Matthews</a> has been plying his baroque, and occasionally sunny, pop since 1995, when he released his first album, <em>It&#39;s Heavy In Here</em>, on Sub Pop, of all labels.&#160; In the present decade he has released two albums on Empyrean Records, the most recent being 2006&#39;s <em>Foundation Sounds</em>.&#160; The sunniest of its 17 songs is &quot;All the Clowns&quot;--</p>
    
    
    





        






    
    
    





        






    
    
    





        





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<p>

Neil Hannon has flitted from style to style in his enduring career as <a href="http://www.thedivinecomedy.com/">The Divine Comedy</a>, and he is no stranger to sunshine pop.&#160; While true sunshine pop tends toward naively earnest lyrics, I don&#39;t think earnesty* has ever been a component of Hannon&#39;s songwriting.&#160; (Not his best songwriting, at least; while impeccably arranged, <em>Absent Friends</em> sinks under the weight of its bloated Meaningfulness.)&#160; Wryness, slyness, archness, satire, ridicule, exaggeration, swagger, irresponsibility--these are the ingredients of his finest concoctions.&#160; &quot;Perfect Love Song&quot; may be all sunshine on the surface, but I can hear Neil smirking all the way through:</p>
    
    
    





        






    
    
    





        






    
    
    





        





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<p><br />And now there is Steve Rinaldi, performing as <a href="http://www.rinaldisings.com/">Rinaldi Sings</a> (thanks to <a href="http://saltymissjill.blogspot.com/">Salty Miss Jill</a> for hipping me to him!):</p>
    
    
    


    
    
    


    
    
    

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<p>

And that concludes my abbreviated roundup of sunshine, or vaguely sunshiney, popsters.&#160; No, wait, it doesn&#39;t--here&#39;s a <a href="http://burlveneer.vox.com/library/post/the-mike-flowers-pops-are-my-bag-baby.html">repeat</a> of Mike Flowers&#39;s blindingly brilliant (<em>like the sun!</em>) &quot;A Groovy Place&quot; (delivered with an even bigger smirk than Neil Hannon&#39;s, I imagine):</p>
    
    
    





        






    
    
    





        






    
    
    





        





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<p>

OK, now I&#39;m done.</p><p><span style="font-size: 0.8em;">* The spellchecker tells me &quot;earnesty&quot; isn&#39;t really a word, but I think it should be, so it stays in.</span><br /> </p>   <p style="clear:both;"> 
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