2 posts tagged “bassline hall of fame”
Do you ever get a song in your head, that maybe you haven't heard for years, but it won't go away and you just have to dig it out and listen to it again? Sure you do. I've had this symptom this week for "Beat Me 'Til I'm Blue" by Colour Me Pop, an English band from the mid-80's who put out one single (on the misnamed American Phonograph label) and a few tracks on compilation albums. The song has several of my favorite ingredients: prominent slap-bass, bongos, both male and female vocals, and a nice (but short) breakdown:
That doesn't qualify as Gothic in and of itself, but its presence on a Gothic-heavy compilation LP, Breaking the Back of Love, makes the connection. And it's not far from some of the music that bona fide Gothic bands were creating at the time, most notably The Danse Society. Now that I've brought them up in a slap-bass post I have to present their slap-bass song, "Sensimilla." It was released as a bonus 12" with the club hit "Say It Again", in a gatefold sleeve. (A double 12" in a full-color gatefold sleeve; all that packaging cost for just four songs? That couldn't have been cost-effective, what was Arista thinking?) This is bassist Tim Wright's shining moment, laying down a rubbery, funky groove that won't allow you to sit still (and by "you", I mean me), and Paul Nash's syncopated rhythm guitar does a great job to accent the flow. The lyrics are on the embarrassing side (condensed version: "I love to smoke pot"), and I could do without the toasting from "Sooty" Brown (but I guess you have to have toasting in a marijuana song); but it's the funkiest song The Danse Society ever recorded, and therefore it's my favorite.
(I was all set to rip this myself, but it just turned up on New Romantic Rules, saving me the trouble. NRR is an incredible source of 80s music; many of the obscure singles I've been holding onto have turned up in Rambul's amazing 20-volume Lost Hits compilation series. Chances are if you have any favorite "lost" 80s songs, they're in there too.)
"Postpunk revival" or "dance-punk" is enjoying some staying power as a genre, but what is it, exactly? You could try to define it, or you could take my favored approach, i.e. "I know it when I hear it." It all boils down to trying to sound like "To Hell With Poverty" by Gang of Four:
I always assumed that Gang of Four was named after Chinese Communists, but I've been wrong all this time, according to Wikipedia:
In fact the term "Gang of Four" refers to the "big four" Structuralist theorists: Claude Lévi-Strauss, Michel Foucault, Roland Barthes, and Jacques Lacan, not to be confused with the Maoist Gang of Four in China.
You learn something new every day. I'm content to let Structural theory trickle down to me via rock bands; I've tried reading the stuff but can't get through more than... well, I can't get through any. Back to dance-punk, even better than emulating Gang of Four would be to sound like Medium Medium's "Hungry, So Angry"--
What both songs have in common is a killer bassline, and in fact they can serve as my first two "Postpunk Bassline Hall of Fame" entries. To give credit where it's due, that's Dave Allen in Gang of Four, and Alan Turton in Medium Medium. I'll give Turton the edge for the top slot. Dave Allen will appear again in the Bassline Hall of Fame; see if you can guess for what song. Medium Medium has even reformed, 20-odd years after breaking up, to play very occasional gigs and record a new album. Word is that the album is finished and in search of a label; the anticipation is palpable at Burl Veneer's Music Blog. In other words, I can't wait! Meanwhile I'm wading through a spate of new and newish dance-punk releases, trying to separate the cream from the chaff, or something like that. I'll report my findings soon.
