I was in the ninth grade when I discovered the "imports" section at the local record store (Waxie Maxie's), filled with stuff that looked downright weird. Even better, though, was the discounted imports bin, and one day when I had five dollars to spend I waffled between Chrome's Red Exposure, which looked strange and interesting, and Jack-Knife's I Wish You Would, which had John Wetton, who was a known quantity to me, on bass. I opted for Jack-Knife; years later I got really into Chrome and eventually found another copy of Red Exposure to buy. Would having bought it the first time have changed the trajectory of my musical fandom? Chrome was decidedly different, and I sometimes wished I'd gotten an earlier start in alternative music. But a few tunes on the Jack-Knife album hold up well; on the title track Wetton plays one of his most kinetic basslines, and Curt Cress opens the song with the funkiest drumming you'll ever hear on a rock record. Then there's the fantastic guitar solo by Richard Palmer-James which, when it sounds like it's over, picks up again for another several bars of wah-wah ecstasy:
Jack-Knife was a one-off, Wetton getting some old bandmates together to have some fun between U.K. recording sessions in 1979. As such it's surprisingly good, and groove miners can find a lot of first-rate breaks (some with cowbell!) to sample.