152 posts tagged “80s”
The reactivation of the mighty SLAB! continues; if not as quickly as diehard fans like me would like, at least it's still on. Frontman Steve Dray has just released a zip file of a rehearsal session for the band's final single, "Death's Head Soup", about which he writes:
This is a dirty scuzzy almost Stooge like version of Deaths Head Soup from our rock period heh heh....the song shoulda sounded like this really... wasnt meant to be as clean as the single version
this is a run through from one of the very first rehearsals of the song....sorry it glitches in a few places...... but anyway... its a document I didnt even know existed...from late 88 early 89 I guess... I know I wrote it before Sanity Allergy....line upDray -VoiceJarvis - GtrNick Page - GtrBoleslaw Usaresewski - Bass..... ( sorry Bolly I never could spell your name!)Rob Allum - Drums
See his blog, Darker Than Deep Space, for the download link, or stream it here:
Paul DiFilippo's recent post on wordless singing brought Claire Hamill's Voices album to mind, which I wrote a post about two years ago (so for background on my adoration of Claire Hamill, see that post). Poking around on the web for more Claire Hamill information, I was pleasantly surprised to find a wealth of her performances now online as streaming videos, and her audio back catalog available for free download from her website! Here, then, is a selection of those videos.
Claire's 1984 album Touch Paper appears to be an amalgamantion of new tracks and previously-released singles, several in the New Wave mode; "The Moon Is A Powerful Lover" was one of my treasured 45s in the 80s, and I always thought it should have propelled her to Kate Bush levels of popularity:
"Ultraviolet Light" features Gary Numan on synths, and was another favorite of mine:
Here is the song that first brought Claire to my attention, "Look Over Your Shoulder" from The Steve Howe Album:
I just learned yesterday that Claire had a short-lived rock band called Transporter in 1980, releasing just one single, "Kids on the Run":
And she's still at it! Here's a live clip from December 2008, singing "Londonderry Boy":
And another selection from the landmark Voices, because it's there:
Finally, there is a five-part interview with Claire spanning her whole career, called "The Claire Hamill Story", appropriately enough. Here is the first part; subsequent segements should show up as related selections:
Bernard Sumner is not looking so great lately, but his musical talents are undiminished, possibly even better than ever. "Sink Or Swim" by his new band Bad Lieutenant has been lodged in my brain for a week now:
That is ten different kinds of catchy! Sumner's reappearance set me off on a New Order listening binge, in which I was reacquainted with my favorite New Order song of all, the non-single "This Time of Night" from Low Life:
Perhaps you remember listening to Styx's Pieces Of Eight album, scratching your head at "Aku-Aku", the mellow instrumental at the end of the album, and writing it off as filler. But I posit that young Robin Guthrie took it as divine inspiration, forming the basis of his guitar and composition style that would come to fruition in the Cocteau Twins. Compare "Aku-Aku" with a representative track from Blue Bell Knoll:
What better song for a dreary First of October than "October Already" by melancholy 80s minimal-wave band A Popular History of Signs? "October already and where has it got us?"
Jeff didn't think "Painted Moon" by the Silencers was good enough to include in his Fingerprintz post (the Silencers being essentially the second incarnation of Fingerprintz), but I think it's a great song, with one of those soaring choruses full of optimism and free of triteness that is all too rare:
Now that I've got tuned percussion in 80s music on the brain, I keep thinking of more examples, such as "Love My Way" by the Psychedelic Furs and "Change" by Tears For Fears. I was beginning to think it was just a UK thing, but then I remembered "Gone Daddy Gone" by the Violent Femmes. So here is a playlist of that batch:
Somehow it entered my mind this evening that the pre-chorus marimba ostinato in Japan's "Methods of Dance" sounds a lot like the background ostinato in Peter Gabriel's "No Self Control", then I started thinking about tuned percussion (marimba, xylophone, balafon, vibraphone, or their synthesized equivalents) in Japan's music in general, and how they often used tuned percussion for melodic motifs, and how Peter Murphy used nearly identical licks in some of his songs. So I made a playlist to convey my point, but regardless of my point, they are all great songs to listen to:
I could write about the just-deceased Jim Carroll, or the Beatles remasters, or New Model Army's imminent US tour, but I won't, because tonight I want to present one of my favorite musical novelty groups, The Promenaders. Their sole album was recorded as a busking session on Brighton Beach in 1981 (and one track at an "Exclusive Brighton Discotheque"). Loxhawn Rondeaux, Stuart Barefoot, Steve Topp, and company zip through an eclectic selection of oldies (including some really old oldies) on saxophone, euphonium, one-string violin, cello, and percussion, concluding with their great ethnomusical experiment, a medley of "(Won't You Play A) Simple Melody", "Tibetan Promenade", and "Nellie The Elephant":
The Tibetan section never fails to crack me up.
If those names seem suspect, it is because they are pseudonyms for merry musical anarchists Lol Coxhill, Steve Beresford, and David Toop; The Promenaders can be seen as a forerunner of Coxhill's Melody Four project.